For this project, Matteo Gallinelli and Giuliano Antonio Lo Re introduce a new range of Pantone colors, the Rain Edition. Each color is created by a mixture of a Pantone Universe color, rain, dust and a pinch of creativity.
Pantone began as a commercial printing company in the 1950s. In 1956, they hired recent Hofstra University graduate Lawrence Herbert as a part-time employee. Herbert used his chemistry knowledge to systematize and simplify the company’s stock of pigments and production of colored inks; by 1962, Herbert was running the ink and printing division at a profit, while the commercial-display division was $50,000 in debt; he subsequently purchased the company’s technological assets from his employers and renamed them “Pantone”. The company’s primary products include the Pantone Guides, which consist of a large number of small (approximately 6×2 inches or 15×5 cm) thin cardboard sheets, printed on one side with a series of related color swatches and then bound into a small “fan deck”. For instance, a particular “page” might contain a number of yellows of varying tints. The idea behind the PMS is to allow designers to “color match” specific colors when a design enters production stage, regardless of the equipment used to produce the color. This system has been widely adopted by graphic designers and reproduction and printing houses. Pantone recommends that PMS Color Guides be purchased annually, as their inks become yellowish over time. Color variance also occurs within editions based on the paper stock used (coated, matte or uncoated), while interedition color variance occurs when there are changes to the specific paper stock used.